Alan Moore -The Legend, The Myth pt 2 of 2

(for the first part of this article, click this link)

Opinion (conclusion)

Constantine movie poster

When Alan Moore began voicing his views on the Watchmen movie, comic books fans like myself were divided. Fans buy into the characters and heroes in comic books. They become our escape. And like Moore, some of us don't want to see the comic books become 'harmed' by those who want to cash in on these characters being 'cheapened' by film versions - despite how loyal (or not) the directors are to the comic books themselves, or not. By that I mean that their representation in other forms may take away their value to us. And sometimes their adaptation isn't as loyal to the comic books. Constantine is an excellent example of when something can go so wrong. I am not saying that the movie itself was bad, I loved it, but that it cheapened its comparitive-value to the comic series. Over the past two and a half years, as I began to think of comic books as a creator/writer/illustrator, and not just a fan or collector, I started to see the holes in what Alan Moore as a legendary creator/writer had been pointing out about his creations being portrayed in other mediums. 

Alan Moore -The Legend, The Myth pt 1 of 2

From page 1 of Absolute Watchmen, Alan Moore & Dave Gibbons 

Recently, a lot of stuff is being said about Alan Moore's latest addition to the League of Extraordinary Gentlemen opus (Century 2009), and how it has a Harry Potter type character in it. After reading his comments about it and the latest round of Before Watchmen books, I thought I would take a wider look at Alan Moore's works. I have already read a lot of the graphic novels he has written and like millions of other fans I love Watchmen, From Hell and being a Socialist I love V for Vendetta.

Fantasising fondly of the "Fantastic Four" (1967 animated series)

When I was a kid in the fourth grade, one fine afternoon a routine bout of channel surfing gave me a completely new channel with a wonderful concept – they broadcast Cartoons right through the day. The channel was then called Cartoon Network, and they used to broadcast mostly Hanna Barbera stuff – which I was new to, back then. I saw a lot of classics I knew (Tom & Jerry, Looney Tunes), new stuff I came to love (Scooby Doo, Huckleberry Hound) and a feature that looked too interesting for words – The Power Zone. I remember this part all too well as it was a two-hour programme that featured only action cartoons.

At the outset, I remember running home from school to thrill to the adventures of The Fantastic Four, The Centurions, Jonny Quest, Thundarr The Barbarian and Super Adventures – a gamut of H-B studio works, like Space Ghost, Birdman, Mightor, The Herculoids, Shazzan, Moby Dick, Dino Boy and the Galaxy Trio. These cartoons and the ones that followed – Swat Kats, Captain Planet, Sky Commanders, Galtar and the Golden Lance – inspired me to look for comics featuring action heroes, and to be honest I wasn’t reading a lot of foreign comics, so my action comics were limited to Indrajal Comics and Diamond Comics’ Mahabali Shaka, Agniputra Abhay, Fauladi Singh and Lamboo Motu. Only after viewing these did my interest in foreign comics, as well as in Indian publications featuring other foreign characters (IBH & Dolton both printed Indian editions of DC Comics long ago), and my chief inspiration was The Fantastic Four (1967)

Will the real Captain America please stand up?

Jack Kirby (& heirs) Vs. Marvel Comics

Yes, I am going there. But for all the right reasons. For a little while now, a court case has been under way to get back the rights or at least get royalties from Marvel Comics for the late Jack 'King' Kirby and his heirs from the 100s of millions made from creations which without Kirby would not exist, such as Hulk, Fantastic Four, and oh, that money spinner, X-Men. Every comic fan/reader must know about Kirby for it goes without saying, that he is as important to American/Western comics as Leonardo Da Vinci is to modern art and as Anant Pai was to Indian comics.