![]() |
| (click to enlarge) |
Story
: Katyayan Shivpuri, Aniruddho Chakraborty
The
comic book market in India, which is still in its nascent stage, is
just like this very familiar city which we have so innocently
encountered in texts, stories, tales, anecdotes and even myths and
legends.
Art
: Pramod Bhramania
Editor
: Aniruddho Chakraborty
Producer
: Siddharth Vaidya
Yes
my fellow Jedis and Siths, I am talking about the colossal City of
the Gods. The Indian comic book market (and the industry) is like
this behemoth city where the Gods and mythological creatures have
literally galvanized all the creative processes. It is analogous to a
city where Gods rule and those who have challenged their might have
either gradually perished or caved ways for entries and additions of
super natural elements and eventual manifestations of the almighty
gods themselves. In such a precarious setting, Chariot
Comics
really tries to break the established existing norms and the
so-called patterns. The poison Chariot picks for this herculean task
is its first comic, titled VRICA
#1.
In
the very words of the writers, the year is 2015 and even after the
so-called peace treaties and settlements between India and its
neighbors, there is still some muscle flexing. In light of this new
reality, India has upgraded its special forces and established two
F-INSAS units. This is the story of one of them which will ultimately
be known as V.R.I.C.A.
![]() |
| (click to enlarge) |
Now
coming to the comic-book/issue itself, the story starts with a
mysterious yet very recognizable interrogation between probably a
high ranking official and a member of VRICA. The reluctance of the
VRICA member and the brashness of the official really create a good
vibe and premise which is already sugarcoated with lots
mystification. So starts the flashback/confession and we are
transported directly to a somewhat somber Kashmir. The mission
described in the next few panels is one I guess all us Indian geeks
have witnessed in some form or the other. But to see it in comic
form, having all the usual vocabulary and motifs – that too written
in an Indian context (to the extent of using Hindi) with splashes of
blood and gore – is actually a subtle delight. In fact the writers
have used the Indian context in quite a balanced manner, providing us
a backdrop to which we readers can very well relate to at and the
same time not overshadowing it with too much of an Indian flavor.
![]() |
| (click to enlarge) |
Talking
about the artwork, the only word which comes to my mind is standard.
It is quite average at the first look, showing some sparks at places.
I really cannot pin-point the exact shortcoming, but I feel that a
certain amount of originality and some individuality in style would
actually do wonders for their work. In the end I would say that there
is nothing wrong with it, but at the same time nothing really stands
out.
Overall
VRICA #1 was a good read. I loved the concept and I expect a lot from
the next issues and I would definitely recommend it to all my fellow
geeks into the military-strategy-GI-Joe-
tactical-war-games
genres.
My
rating for this issue is a healthy 7/10.
-
By
ObiWayneK



No comments:
Post a Comment