Week In Review : American Vampire #29 + Justice League Dark #11 + The Goon #40

American Vampire #29 (Vertigo)

Story : Scott Snyder

Art : Rafael Albuquerque

(Reviewed by Anirudh Singh)

Skinner Sweet is back. The monster from the old wild west returns to doing what he does best. Hunting down the old breed of vampires. And this time he is doing it for Uncle Sam. Partnering up with his old crush/protege Pearl Jones. The two of them are set loose in Hollywood to undertake their own witchhunt. While the government tries to sniff out the communists, the two of them are here to bring to light any incidents of Vampires being hidden among the rich, affluent movie magnates.

Skinner Sweet and Pearl Jones always have such wonderful chemistry together that its a wonder most issues in the series arent centred about them. Skinner's character is pretty much what drew a lot of people to this series, including me. He acts as a perfect foil to the good hearted Pearl. Add to this the fact that we know the European breed of Bloodsuckers indeed have something up their sleeve (thanks to Lord of Nightmares) and this story becomes doubly interesting.

Week In Review: B.P.R.D. : The Pickens County Horror #1 / Bloodstrike #26 / Daredevil #10 / Justice League Dark #7 / The New Deadwardians #1 / Voodoo #7

Welcome fellow ComicAddicts, to another new week of releases - and do we have a load of amazing titles for you guys this week! In fact we had so many great releases that we have more than the usual number today AS WELL AS TOMORROW! So dive in and enjoy!

B.P.R.D. – Hell On Earth : The Pickens County Horror #1 (of 2) (Dark Horse)

Story : Scott Allie

Art : Jason Latour

(Reviewed by Anubhav DasGupta)

None of our usual BPRD players turn up in Pickens County Horror. There’s no Liz Sherman, Abe Sapien or Johann Krauss. Instead, we are treated to two field agents who land up in South Carolina to investigate something about a fog that, well, “moans”. There are Vampires in this issue.

Firstly, this comic is not groundbreaking or mindblowing, but it gets the work done. What really stands out in this issue is the art. I love this Latour guy. This is the only comicbook of his that I’ve read, but he’s impressed me, and I’m totally going to fish around for more of this guy’s work. The amount of character he brings out in each and every panel is amazing. And the nighttime scenes are just brilliant. It also helps that Dave Stewart is handling the colors. I bet his colors would make a page drawn by even Rob-goddamn-Liefeld look good, and with Latour’s art, it not only looks amazing, but also adds to the story.

The pace is just right. This comic takes its time, letting us know the characters before heaping the good stuff on us and ending with our heroes in a questionable situation. This is textbook horror storytelling.