Wolverine is arguably the most famous
comic book character created this side of the 70’s. However, regardless of your view on that debate, he
certainly is the most overused and burnt out character in
contemporary comics books. As a member of the Avengers, leader of
half the X-Men, Principal of The Jean Gray Academy, Protector of China
Town and struggling father - it’s safe to assume he has a pretty
busy life. So much so that, with all his appearances, readers were
all pretty much getting more of the same week after week.
That was of course, before Jason Aaron (Scalped, PunisherMAX) began his work on the character.
That was of course, before Jason Aaron (Scalped, PunisherMAX) began his work on the character.
Wolverine : Weapon X
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This is where all the madness of the current run started. After the main Wolverine title was handed over to Logan’s son Daken, Marvel announced the new ongoing Wolverine: Weapon-X by rising star Jason Aaron. For those of you who aren’t familiar with Aaron’s work, this guy has a very twisted mind and is a very mind-blowing storyteller. With Weapon-X, Aaron gave us Wolverine as he was always supposed to be written: Badass, yet intellectual and sophisticated. In Weapon X, without too many details, we have one excellent arc after one another, some delving deep into his mind while others unleash the animal. Oh yeah, he gets a girlfriend too. Bet you wanna read this book now, dontcha.
With the relaunch of the Wolverine
family of titles in 2010, Jason Aaron got the well deserved title of the de-facto Wolverine writer. With an initial run of arcs lasting seventeen issues, Aaron scripted a tale of Wolverine answering for past
crimes from a mysterious organization called The Red Right Hand. I’m
not gonna give away too much, but you can guess these are essentially
people who are pretty miffed with Logan, and have something worse
than death in store for him.
The first arc follows Wolverine’s
soul going to hell, while a demon possesses his mortal body.
Excellently written and with art that fits perfectly into the nigh-biblical tone of the script, the arc was an excellent look at
Wolverine’s strength of character and sheer badassery, as he
proceeds to make his body his own, and everyone in hell his b*****s.
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The third arc has, till date, one of the
best endings I have ever seen. I’m not gonna spoil it here, but I
assure you, it is slick and extremely elegant at the same time. The
arc sees Wolverine attack the Red Right Hand while facing a series
of Mutants out to kill him, but when he does get to them, he suffers
a fate that is actually far worse than death. In a genre/medium where
characters are killed off and then brought back almost non-stop,
Aaron has managed to create a severe impact on both Wolverine and the
reader.
Wolverine then retreats into the wild,
living with a pack of wolves, while his friends seek him out to bring
him back to the land of the sane. This two-parter serves as an
excellent way of preparing Logan for what is to come in X-Men: Schism and
his responsibilities thereafter.
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Schism and Thereafter
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This is Wolverine in a situation he is really not comfortable in, which is sure to lead to some excellent character development.
Now, if only Aaron would get down to
writing Deadpool...









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