Welcome back to another wayfaring
edition of my rambling and meanderings through the world of comics
folks!
Today I have something special for you
however. You see I decided that with 2011 now over for a time, there
was a massive surge of independent titles and creativity that really
brought something new to the industry. Image Comics in particular had
a banner year and produced fantastic series after series that left
readers breathless.
With this in mind I decided to create a short-list of some of the best and brightest of what I had read this past year. Now bear in mind this is a subjective list and merely my listing things out off the top of my head, first instinct and all that!
With this in mind I decided to create a short-list of some of the best and brightest of what I had read this past year. Now bear in mind this is a subjective list and merely my listing things out off the top of my head, first instinct and all that!
There were some magnificent titles that
are worthy of praise and celebration but unfortunately my decision to
keep this a “Top Ten” list limits the titles I can talk about
here. So I will address the ones that got missed here in a later
post, for now lets just start our countdown shall we? Good!
(...and as always, all images can be clicked for larger versions! Enjoy.)
10.
AXE COP: BAD GUY EARTH
Writer: Malachai
Nicolle and Ethan Nicolle
Artist: Ethan
Nicolle
Publisher:
Dark Horse Comics
What can one say about this series? It
is hands down the single most fun and creatively outrageous series
possibly ever written. For those that don't know – this mini-series
was originally a web-comic written and drawn by 29 year-old Ethan
based on stuff that he and Malachai (now about 7?) came up with while
playing together. Seriously. Think on that a moment.
Centred on our hero – Axe Cop – who
is basically a cop who sleeps only a couple of minutes a day because
he works the “always shift” and is the ultimate bad-ass, we see
dinosaurs, aliens, Ninja Moon Warriors, a pet T-Rex with gatling gun
arms and anything and everything you can imagine. Filled to the brim
with entertainment and (I repeat) sheer wall-to-wall fun, you don't
need backstory or continuity or anything – this is just simple
enjoyable comic reading and in an industry trying very hard to be
taken seriously, this book just throws it all out the window with
style.
This book literally reaches into your brain and connects with the hyper-imaginative kid inside you so if you are at all inclined to nurture the kid within – check this comic out!
09. THE
WALKING DEAD
Writer: Robert
Kirkman
Artist: Tony
Moore
Publisher:
Image Comics
There is very little I can say about
this series that has not already been said repeatedly. Now fast
approaching its 100th issue and with a highly successful
TV adaptation, this series could be said to have given new life to
the long-decaying genre of zombie survival horror – something I
think all horror fans in any medium have been thrilled about.
Kirkman has shown himself to be one of
the most innovative and brilliant writers in comics today and his
ability to consistently maintain the kind of quality and consistency
of characters he and artist Tony Moore have over the ninety-odd
issues published thus far is nothing short of astonishing.
This past year we've seen things at the
new compound/haven start to fall apart, new dangers and internal
strife that threatened to bring everything they had built till now be
destroyed. We even saw Karl near-fatally shot and power-shifts in the
fragile little community and a new direction for the survivors with
the future just as uncertain as ever.
If you have been reading this series,
you know why its here. If you haven't, then you really should try it
out – I was never a zombie fan but this is one saga that is
something unique and will be remembered as such long after its over.
08.
LADY MECHANIKA
Writer/Artist:
Joe Benitez
Publisher:
Aspen MLT
Possibly
one of the least well-known comic launches this past year, this comic
is a blessing for fans of steam-punk based story-telling like myself.
Of course, if the book was not as plagued by delays as it has been
perhaps it would have a better chance of making a mark.
Written
and drawn by Benitez, we get to follow the adventures of our leading
lady as she uses her unique skills and bleeding-edge technology to
fight supernatural and other such threats in turn-of-the-century
Britain. I was skeptical at first that this would be nothing more
than another excuse for coolness and eye-candy, Benitez surprises by
bringing forth for us a very compelling world that is both familiar
and alien at the same time – coupled with a tantalising lead
character, it makes this series a great read. Of course there is more
still, you see our lady here is not just any woman – she is part
human-part machine and has no memory of how and why she is what she
is, her quest to unravel her past being one of the running
story-threads through the comic. I do wish they would bring this out
more regularly, but for now I'm content just to have issues to read
that keep the story alive.
07. PAYING
FOR IT
Publisher: Drawn and Quarterly
Right at the start let me say that this is most assuredly NOT a book
for everyone and should be approached with a measure of caution. No,
its not violent or over the top or disturbing in any of those
conventional ways, but it will definitely be offending some
sensibilities among the slightly less accepting.
In this Graphic Novel we follow Brown's main character as he finds
himself less and less inclined to get into new relationships after a
lack of success and long-term joy in those he's had before. It then
progresses to chronicle his life after he decides that he no longer
wants the headache of a regular relationship and all the baggage that
comes with it and slowly discovers the world of prostitution. And
this is where I imagine it would generate a lot of strong reactions,
as he begins to dabble in this and more and more becomes convinced of
the essential failings that come with conventional romantic
couplings. Admittedly the book is a little one-sided in favour of his
views, but then thats how these things work when one is talking about
one's own experience and beliefs.
What makes this book great and worthy of being on lists and getting
acclaim is the way it is approached and the utterly honest and
unflinching manner in which Brown approaches the subject matter. He
does not sugar-coat hthings, he does not try and make it seem
romantic or fall into cliche's and Pretty-Woman-esque drama but is
very real and shows us the true face of both the sex-worker and the
real average 'johns' instead of the typical over-the-top faces that
normally get put on them.
While
I do not endorse his views and condone the practice, there is a
reality and a truth to so much of what he talks about – a breaking
of stereotype and myth that is essential to anyone who likes to pride
themselves on knowing the truth of things. And in a world where
sex-workers and others are pushing for regulation and legalisation
and all manner of things are in question, well books like this are a
breath of fresh air – and personally I think people need to be more
willing to talk about topics such as this that tend to be taboo and
literally untouchable, another attitude that gets addressed in this
book.
06. SWEET
TOOTH
Publisher:
Vertigo (DC)
I'm
a wee bit ashamed to admit that I was a little late starting on this
series, at first dismissing it off-hand as something that didn't look
all that enticing. Of course as you can guess, I did end up trying it
a couple of issues in when I started seeing good reviews of it and
the rest as they say, is history.
Currently
many of you will know Lemire for his work over at DC on Animal Man (a
book I HIGHLY recommend by the way!) but before all that he was
writing and drawing this wonderful little gem that is truly one of a
kind.
Following
the journey of a simple, young mutant boy named Gus and an angry
hard-ass named Jeppard who crosses paths with him at the start of the
series, we get a very different and interesting take on the
post-apocalyptic scenario that is in many ways so familiar as a
narrative setting now.
Jeppard by the way, was based on the aged Frank Castle (a.k.a. The
Punisher) from the mini-series The Punisher: The End.
In
many ways this series has been seen as a kind of tribute or ode to
the concept of an outsider, told through the main character as he
struggles to find his way and learn the truth and his strange
relationship with Jeppard who was a surrogate father-figure and
betrayer all in the same man.
Even
the art style Lemire uses is quite unlike other books on the shelf
but it works remarkably well with the story he's telling. Besides,
I've always held that a writer who can draw his own story has a much
higher likelihood of bringing out the image, the vision that he sees
and bringing it to life – and Lemire has a knack for not only doing
so, but doing so exceedingly well!
Carrying
a sense of melancholy and strained hope, this is not a light and fun
story, but a compelling and beautifully rendered one nonetheless.
Following a greater underlying mystery that Lemire masterfully teases
us with and a gentle progression of story over this past year has
made this one of the best books on the racks for me, period!
If
you've ever felt alone and like an outsider, I imagine you'll find
something familiar and engaging in this book.
Well
Folks!
So
ends the first half of my list as I make my way down the list of my
favourite independent title by some of the most under-rated and
magnificently talented people in the comics industry – any field,
any profession and any medium has only a future as long and bright as
the underground and indie side of it, the off-beat, the
out-of-the-box and the mad ones.
They
are the markers, the game-changers and the brave ones that change the
future.
So
I ask that you try out such titles more often, you'll be surprised
how many great stories there are out there that get missed amid the
chaos of the mainstream and the Big-2's
spandex-clad-crossover-event-overload that runs all year long.
Until
next week when I reveal my top five, cheers folks!







2 comments:
Love this list... looking forward to the next set..though one minor complaint? even though sweet tooth is bloody awesome, i would hesitate to categorise it under indie comics..vertigo to my mind is not indie...thoughts??
Thanks Manks!
(Hah! I made a funny!!)
seriously though, Image and Vertigo are both relatively big brands - yes - but both have been constantly producing stuff thats off the beaten path and creator centric and the creator owned stuff like this and Scalped (which was a close runner up when this list was being made btw!) definitely qualify in my opinion.
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