Thursday, November 29, 2012

Week In Review : Edgar Allen Poe's The Conqueror Worm #1 + Judge Dredd #1 + Snake Eyes and Storm Shadow #19


Edgar Allen Poe's The Conqueror Worm #1 (Dark Horse)
Story & Art : Richard Corben
(Reviewed by Anirudh Singh)
Ah, what an intriguing concept. Turn one of Poe's acclaimed poems into a one shot comic book. Edgar Allan Poe lies in that rare literary hallowed ground where a writer/poet always yearns to tread but fears immensely to do so. For to do so would be to walk in the shadows of giants. Not everyone is ok with that. It invites comparison and critique from the highest circles and rounds of amateur barbs as piercing as they are uninvited. However you have to realize that most of this criticism is with good cause. You don't just touch a Poe poem and be done with it. You best be prepared to bleed a part of your soul into that work and make it shine real good. Cause if you don't. Then one of these nights you might just meet the master himself. And then you will bleed.

Week In Review : B.P.R.D 1948 #2 + Captain America #1 + Deadpool #2

Hey folks!! Welcome back to another week - we're running a little late, but here's some of our picks from the week past. 
New reviews of this weeks books will be here this weekend so stick around!


B.P.R.D 1948 #2 (Dark Horse)
Story : Mike Mignola and John Arcudi
Art : Max Fiumara
(Reviewed by Anirudh Singh)
Well awesome another BPRD book. I cannot get me enough of these books. They never disappoint and each book leaves me with the growing realization that the end of the world will be brought about when Hellboy breaks out of Hell and runs loose - on Mignola's schedule, not the Mayans'. But that is a personal view. Anyhow, 1948 serves as a throwback, taking us into a simpler time when The Professor was still a little green around the edges and Hellboy was a little monster learning the ropes from his army family. Which means it is a time when some major reveals can really happen. But alas, my hopes are undone.
So far.

Saturday, November 24, 2012

JENNIFER BLOOD Vol. 1


WARNING: Jennifer Blood is a Mature Readers Only series. 

Garth Ennis as far as I am concerned is possibly one of the most underrated graphic novelist. I know he is well known and has written some classic fiction in the past but as the final issue of The Boys reaches the stands I for one am looking forward to what he decides to do next. When The Boys was published under the Wild Storm (DC Comics owns it now) imprint Ennis and his artist, Darick Robertson were told by DC that they didn't want a mature series about superheroes as it would more then likely be against what DC wanted in their stable of titles. This left Ennis with the choice of taking the series, which had at that time only 6 issues. else where. Which as far am I am concerned it was good move. Both artist and writer then took the series to Dynamite Entertainment. Where the series has flourished over the past 7yrs.

By then there were talks about a The Boys feature film. Lots of interviews and discussion about a movie. which at the moment is still in the air. I have written a review on the first volume of The Boys. Which should be out soon. It is with Dynamite Entertainment that Ennis created his Jennifer Blood series.

Jennifer Blood, a pseudonym of the lead character, is a well crafted action thriller about a house wife who at night goes out to dish out her own justice on a family of Mob related criminals. The story is told through her own narration written in her journal. We follow this mother of 2 young children and a loving husband, Andrew, who are none the wiser as Jennifer. Every night Jennifer drugs her kids and Andrew, so that she can go about carrying out her vendetta on the local crime family. And like any other vigilante she leaves her calling card.
No matter what, Ennis writes, there is always a very strong first issue. And so in the first issue we follow Jennifer as she puts her family to bed and goes downstairs to the hidden enclave which houses weapons and spy equipment that might put James Bond to shame. Weapons from a simple glock pistol to a RPG (rocket propelled gun) and semi-automatic machine gun. Here in her hidden cupboard space she changes from a house wife to a black leather clad female Punisher. (NB: Ennis wrote several volumes of The Punisher through Marvel Comics Max imprint. The Punisher film starring Tom Jane was based on some of that series).
With a black wig to cover her blonde hair she takes off into the night in her Black SUV wearing dark sunglasses. And it is here that we start to see the very different character than the one while she was with her family. With her chosen weapon hidden away in the SUV, she drives to her first victims of her vigilante.
At first glance the first issue looks like a rip-off of a Punisher story. Jennifer Blood being the female Punisher. But its nothing like the Punisher. Jennifer Blood in her own right is a complex story about family, and the criminal under ground. Jennifer Blood is a strong female character. Which I like seeing in comics. Often to sell a comic book a first issue that is mature in content ends up having the female protagonist is over sexualised, but not so in Jennifer Blood. There is a good balance of mature content along with some of the crazy humor stuff Ennis is known for. But that does not take away from the story. I, for one really enjoyed the story.

This story like any many others that Ennis has written before or since Jennifer Blood, is worth the cover price. When you read through the first arc, Ennis only wrote the first volume on the on-going series, you will come to realise that Jennifer Blood is another original story that could easily be made into a movie, and I hope they do, because the whole first series can easily be adapted to a film script.
The artwork by Adriano Batista gives life to the series which the colorist, Romulo Frajardo Jr. clearly set out to show us to show the difference between Jennifer's day life and her night life, using light tones and colors for the Jennifer's day life and dark hues for the night activities. I found the art and color tones to be well planned out.
The first issue includes a two and a half pages of interview with Ennis about the series as well as  five pages of sketches showing the character designs. After Garth's 6 issue run the writing and art chores are picked up by Al Ewing and Kewber Baal. I had only bought the first 6 issues, all Tim Bradstreet 'Virgin Art' Retailer Incentive covers through my comic dealer. Having read all the issues this week, I hadn't even read the series until this week, I wish I had continued with collecting the rest of the series in print form.
If you are a fan of good crime action stories, then may I suggest that you read at least read Ennis' run. Al Ewing continues on with the series with the spirit of what Ennis began.

(ARU), Aruneshwar has a Bachelors Degree in Digital Media -Digital Film-making. Aru is writing and illustrating a graphic novel about the 30yrs of Institutionalised Slavery ofIndians in Fiji from 1885 -1915. He is a prolific script writer and writes in all comicbook genres which include several graphic novels for his own company,Rising Sun Comics. Aru also uploads a digital comic series on Facebook called, Zero as well as finishing off the lettering to his crime-noir graphic novel, The Circle. He is also trying to finish off coloring and lettering a superhero comic book mini-series he co-created with Mike Burbeck called, Incredi-Girl.




Wrath of The Spectre



Writer: Michael Fleisher
Artists: Jim Aparo, Frank Thorne, Ernie Chua, Mike DeCarlo, Pablo Marcos, Russell Carly
Collects: Adventure Comics issues 431-440, Wrath of the Spectre issues 1-4
Published by DC Comics

When I was a kid, my mom used to read me moral stories. Stories that would instill in me a basic sense of right and wrong. Someone (I can’t remember who, at this moment) said something like ‘In this universe, there is a right and a wrong, and that distinction is not difficult to make…lord knows he must have said it long, long ago, for we don’t live in a black and white world anymore – shades of grey prevail all over. I’ve always been interested in The Spectre…actually, scratch that – I’ve always been interested in characters whose basic costume is garish green – Green Lantern, Green Arrow, Poison Ivy, Count Vertigo, Swamp Thing – you get it. And The Spectre was one of them. After a short trade of the (criminally uncollected) Spectre series by John Ostrander and Tom Mandrake, I craved…no, make that hungered for more Spectre.

And with this volume, I got that, and a lot of other things, including the moral stories I write about above. This series combines a lot of things. It doesn’t have a lot of moral ambiguity (I’ll not fault them that, they came from simpler times) which was present in spades in the later series. Each Spectre series brought to the table something different. The Forties series (Jerry Siegel and Bernard Bailey) featured creepy, simplistic stories that worked. The late Eighties series (Doug Moench and Gene Colan) were eerie mystery stories, which had a weird charm of their own. The nineties series (John Ostrander and Tom Mandrake) intermingled real life politics and heavenly affairs. In the introduction to this book by Peter Sanderson, Mike says that he considers the stories as a kind of black comedy. I’d rather say that its Panchatantra meets Sherlock Holmes meets EC Comics.

Tuesday, November 20, 2012

Black Orchid by Neil Gaiman and Dave McKean



Writer: Neil Gaiman
Artist: Dave McKean
Collects: Black Orchid issues 1-3
Published by Vertigo

Beauty, like vanity is fleeting. That is, in a nutshell, the message of this story. It isn’t a story as much as it’s the feel of a story. It was something fresh and new at the time it was released, and I daresay, almost twenty five years later, it still holds up perfectly well – if you see it for what it is. And what was it? Black Orchid was a little known character from DC’s stable of supernatural heroes whom I couldn’t be bothered to look up, not because I had doubts regarding the quality of the classic material (and in these days of new 52s and AvXs, I find myself visiting a lot of classic material), it was just so that I always had things to read that I knew to be reliably…good. Also, this was Neil Gaiman’s first outing across the waters, just as it was Dave McKean’s.


Just when she is at the cusp of a revelation regarding underworld proceedings in an ongoing investigation, Black Orchid is discovered. So as not to fall victim to the familiar trope of villains boasting their schemes giving the ‘hero’ time to ‘loosen their bonds’ or somesuch, the head goon immediately shoots her in the head. Black Orchid survives, just to face a fire which eventually kills her. Or it would have, had she been really alive….because, to purists, there is a notable difference between the words grown, bred, and alive. If there is, I don’t know what it is.

Friday, November 16, 2012

Week In Review : Deadpool #1 + Earth 2 #6


...and more madness for this week as we play catch-up! Other reviews for the week are HERE and these two wrap up our picks of the new comics this week. 
Stick around and we'll have more coming hot and fresh to your plate asap!

Deadpool #1 (Marvel)
Story : Gerry Duggan & Brian Posehn
Art : Tony Moore
(Reviewed by Anant Sagar)
(Insert Morgan Freeman voice here) “A new era dawns upon us. Marvel has begun its reboot. Although Deadpool believes it is not a reboot.”
Deadpool finally gets his Marvel NOW issue #1, and I couldn’t be happier! Now you’re probably wondering, “What? How is Anant happy with a reboot?”
It’s simple:
1. Deadpool is here. Giving him this series means he isn’t getting phased out. (like all his other titles, I miss Deadpool Corps and Deadpool Team-Up.)
2. Deadpool is fighting ZOMBIES!!!! And not just any zombies, Presidential Zombies.
3. His healing factor is back!!

Week In Review : 47 Ronin #1 + Before Watchmen Moloch #1 + Colder #1


Pardon the belated posts this week folks, the festivites of Diwali (amongst other things) had us terribly short on time and we were not able to post these up sooner! 

47 Ronin #1 (Dark Horse)
Story : Mike Richardson
Art : Stan Sakai
(Reviewed by Anubhav Dasgupta)
There is a saying that the tale of the Forty Seven Ronin is the definitive Japanese story. From what I’ve gathered, it’s a tale that more or less commands a huge chunk of their culture, much like our myths of Ram and the Mahabharata.
To know the tale of 47 Ronin is to know Japan.”
And that’s not far off from the truth. 47 Ronin feels like a very Japanese tale. There are some stories that just feel classy, that feel noble, like Seven Samurai, Citizen Kane, Kumonoso Jo and this comic feels like one of those stories. It doesn’t cheat you with gimmicks and cheap shocks, but simply tells a story, and a good one at that.

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